Directed by: Leigh Whannell
Written by: Leigh Whannell
Starring: Elisabeth Moss, Oliver Jackson-Cohen, Harriet Dyer
Run-Time: 2h 4min
Genre: Horror, Science Fiction
Rotten Tomatoes: 91%
Availability: HBO Max
When Cecilia’s abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. (IMDb)
Over the past couple of years, there has beem a renaissance of horror with many films going back to the roots of the genre. Films such as Get Out and A Quiet Place break the monotony of jump-scare heavy horror and revitalise techniques long underutilised.
The Invisible Man does what 2017’s The Mummy tried to and with a much lower budget. For a while now, Universal has been trying to bring back the classic horror icons with the hopes of creating a creature-verse comparable to Disney’s MCU. The Invisible Man is their second and successful attempt at doing so.
Despite not having the best trailer, The Invisible Man is hands down one of the best films of 2020 with utterly exceptional acting and atmosphere. The film shows considerable restraint, taking its time to build up to real terror. The audience is forced to experience the film in the protagonist’s, Cecilia’s, point-of-view; sympathising with her while being kept partially in the dark about what’s really happening. Even then we’re told what is happening, you can’t be entirely sure.
This film wears many masks as well. Not only is it a revival of a classic of the same name, but it’s also an examination of domestic violence. At one point, the film becomes less of a psychological horror movie and more of a revenge flick. All the while, it is a prime example of how the legal system can neglect the victims of domestic abuse.
This is a must-watch film, really, don’t argue with me. Of course, as with most horror, beware the potentially triggering content.