A detective investigates the death of a patriarch of an eccentric, combative family. (IMDb)
For the month of December, I decided to choose books and films that seem to be relevant to this time of year. And what better film to watch with your family that Knives Out. A scarily accurate depiction of the modern family dynamic.
I had high expectations going into this film after reading The Inheritance Games and seeing many fellow reviewers compare it to this film. Taking a look at the cast only confirms that this film was set up to succeed. We don’t get many cat-and-mouse type mysteries anymore, nor do we get such satisfactory plot twists. This film calls back to an era of noir films that have struggled to be revived in the modern era focused on hyper-energetic action flicks. This film finds a balance between the older methods of storytelling and the newer aesthetic of cinema.
Daniel Craig appears as a Sherlock-eque private investigator trying to figure out the true circumstances of the unexpected suicide of an eccentric, and grossly-wealthy author. It goes without saying that this is one of those films you watch more than once. Not just because its a thrilling story, but because it will likely require multiple viewings to catch all the minute details strewn throughout. With a keen eye, like Craig’s Blanc, you can see the whole scenario come together with electric clarity.
If you love a good whodunnit story, Knives Out is one of the best to come out in recent years. Boasting a talented cast with great chemistry. The film will make you think of your own families eccentricities, especially if they were put under similar circumstances.
Juliette hasn’t touched anyone in exactly 264 days.
The last time she did, it was an accident, but The Reestablishment locked her up for murder. No one knows why Juliette’s touch is fatal. As long as she doesn’t hurt anyone else, no one really cares. The world is too busy crumbling to pieces to pay attention to a 17-year-old girl. Diseases are destroying the population, food is hard to find, birds don’t fly anymore, and the clouds are the wrong color.
The Reestablishment said their way was the only way to fix things, so they threw Juliette in a cell. Now so many people are dead that the survivors are whispering war – and The Reestablishment has changed its mind. Maybe Juliette is more than a tortured soul stuffed into a poisonous body. Maybe she’s exactly what they need right now.
Juliette has to make a choice: Be a weapon. Or be a warrior. (Goodreads)
I had not originally planned on reading this book, but when I came across it a local sale for only one dollar, I couldn’t help myself. I decided to give this series a chance, regardless of the fact I was going into it with low expectations. I don’t know if that fact played a factor in the end, but I was surprised to find myself enjoying this book enough to have interest in the rest of the series.
I have nothing against the YA dystopian subgenre but will admit to generally not being impressed by it. It’s a genre over-saturated with subpar books riding on the back of the success of series such as The Hunger Games and Divergent. I picked up this book, expecting it to be readable, but as enjoyable as it ended up being.
The writing of this book is unique, to the point where when I first opened it, I thought the previous owner had taken it upon themselves to cross-out various lines. It took me a minute to realize that no, this was something entirely intentional. It’s an odd technique, that while I’m not particularly fond of it, it does the job it’s intended to. It helps set the tone of the story, that is further perpetuated by Mafi’s unique and beautiful writing style. It’s almost poetic in how it illustrates the shattered state of mind the protagonist Juliette is in throughout the book. As the book progresses and she feels more comfortable in her reality we see some of these techniques either stop being used entirely or reduced significantly, while others continued to be used just as much if not more. At the end of the day, the writing in this book is really what elevated the reading experience for me, though I understand how it could have done the exact opposite for others.
The only thing that rubbed me the wrong away about this book is the romance. It’s easy to say I didn’t care for it, and the little bit of exposure I’ve had to the fandom had me thoroughly confused (though I understand further reading may clear that up.) I’m not as bothered by love triangles as some are, but I struggled with this one in particular because I either don’t trust or don’t like either of the love interest. And… Warner? Am I supposed to like him? Cause no. And while I realise this negative is entirely subjective, for me, it detracted enough from the story to pull me out of it. I imagine for readers who don’t like love-triangles the effect would have been but quicker and more intense. Coming up with a rating for this book, even with the help of a rubric, was a struggle for me. It’s not quite a four-star read for me, but not as low as a three. That said, a 3.5 doesn’t quite seem right either. I imagine my final subjective rating being somewhere between 3.5 and four.
The company says Otherworld is amazing — like nothing you’ve ever seen before. They say it’s addictive — that you’ll want to stay forever. They promise Otherworld will make all your dreams come true.
Simon thought Otherworld was a game. Turns out he knew nothing. Otherworld is the next phase of reality. It’s everything you’ve ever wanted.
And it’s about to change humanity forever.
Welcome to the Otherworld. No one could have seen it coming. (Goodreads)
Oh goodness, this book.
First of all, I have to give this book credit, it is not what I expected. My first impression of it was that it would be sort of similar to Ernest Cline’s Ready Player One, which just so happens to be one of my favourite books. This was enough to make me buy this book because I figured even if it wasn’t as good as Ready Player One I would hopefully find it enjoyable. Let me tell you now: I didn’t.
The one good thing I remember about this book is that I was surprised by the direction it took with the story’s concept. Simply based off my first impression the plot was not what I expected it to be. Sadly, this fact didn’t save the book from being unpleasant to me. Mainly, I did not like the main character. I didn’t like the secondary character. The only character I liked in this book was a background character that would eventually end up dead, and even their death wasn’t impactful to me. Additionally, I found the motivations of both the antagonist and the protagonist to be either dumb, confusing, or some mixture of both. In the end, it was the characters that forced me to give this book a low review.
In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister’s place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love. (Goodreads)
In a post-civil war United States now called Panem, a battle royale is held among 24 children between the ages of 12-18, chosen in pairs at random from twelve districts. The titular Hunger Games is used as a form of propaganda to remind the citizens of Panem what would happen if they revolt against the countries capital. When a young woman named Katniss finds herself in the arena she is forced to make some hard decisions in order to survive.
When I first read the Hunger Games I was starting middle school and preteen me loved it! Me now– who is not only an adult but a writer– found the book mediocre at best. My primary complaint, which seems to be common, is regarding the protagonist Katniss Everdeen. While rereading the book I found it hard to understand her and her overall personality. It seems as though her personality changes for the convenience of the plot. Though acting differently was crucial for her survival, her mental commentary was inconsistent in its representation of her true personality. She seems to constantly change her mind for the sole purpose of progressing the plot when it starts to fall a little short. Additionally, the use of dues ex machina was often obvious, and could leave the reader thinking: Well that was convenient.
I have to give the book credit, though, for being a good battle royale. It introduced many to the concept for better or for worse, as well as sparking a mass interest in YA fiction and dystopian settings. Additionally, the world is well developed and even with the relatively minimal introduction, it is easy to understand. Part of this may as well be due to the fact that Panem is a post-civil war United States– this fact may not always be obvious to younger readers. Character-wise, secondary characters were handled very well and were well written as well as consistent. In fact, I can’t help but believe the book would be overall better if it had been written in some interaction of the third person.
In the near-future, people use technology to give the illusion of all kinds of body modifications—but some people have “Egan’s Syndrome,” a highly sensitive immune system that rejects these “mods” and are unable to use them. Those who are affected maintain a “natural” appearance, reliant on cosmetics and hair dye at most to help them play with their looks.
Sunati is attracted toAusten the first time she sees her and is drawn to what she assumes is Austen’s bravery and confidence to live life unmodded. When Sunati learns the truth, she’s still attracted to Austen and asks her on a date. Gradually, their relationship unfolds as they deal with friends, family, and the emotional conflicts that come with every romance. Together, they will learn and grow in a story that reminds us no matter how technology evolves, we will remain . . . always human.
Rendered in beautiful detail and an extraordinary color palette, Always Human is a sweet love story told in a gentle sci-fi setting by a queer woman cartoonist, Ari North.
Always Human is a fun and light-hearted read, but within it is a plethora of deep themes rarely explored in YA Science Fiction, let alone graphic novels. While reading it is an absolute pleasure, you are absorbing concepts that are for many hard to understand. The author, Ari North, does an exceptional job presenting these themes in a way anyone can understand while not losing the overall tone of the story. I’d like to take some time to look deeper into some of the themes I picked up on while reading Always Human and further discuss their representation and lessons.
Self-Expression is the theme that truly at the forefront of this series. After all, this story takes place in a future where people use technology to enhance their bodies in various ways, including aesthetically. These modifications are implied as being endless and allow the society represented to be much better suited for a wide variety of self-expression. Always Human is unique in that it includes a wide variety of characters with differing sexualities, race, and gender identity. It’s implied that such differences no longer hold the weight they do in our current society, as it’s much easier for one to alter their physical self to better reflect their feelings and personal views. It’s interesting to see how society would view people in a world where you can truly look however you want, and “other” is commonplace.
Invisible Illness (disability) is the second most important theme as it closely pertains to the protagonist, Sunati’s, love interest Austen. Austen suffers from the fictional Egan’s Syndrome, an autoimmune disorder that makes her unable to use mods, which in many ways leaves her “disabled” in a world where people use mods to help with things such as memorization and illness prevention. Throughout this volume we see not only how this affects her but how people respond and act towards her. North does an exceptional job illustrating life with an invisible illness and how it can often skew other’s perception of someone, as well as how it can negatively affect the person’s mental health and relationships. It’s refreshing to read such an honest representation that manages to stay away from some potentially harmful tropes that often follow characters with a disability. We view Austen’s struggle in a very honest way from both her perspective and Sunati’s which provides a lot of room for learning to the readers.
Communication is the key to a healthy relationship and is explored at length in this graphic novel. Whether through mistakes and triumph, North presents a realistic representation of communication that is mostly healthy but definitely not perfect. There are things to be learned from the conversations that go well and, of course, lessons to be learned from the ones that don’t. Both are in this book and so well written.
Humanity in the technological era is a theme often explored in science fiction, and North definitely takes a more literal approach to this one. We are given a society that is very different from ours in a way that could be seen for the better. The amount of self-expression allotted to individuals in this world has opened up peoples mind to many things otherwise considered “other.” At the same time, this leaves some people at a great disadvantage (those with Egan’s syndrome). The way disease is handled is different, and the human body becomes, in a way less organic. The book explores what it means to be human is an area of endless possibility.
In addition to my analysis, I was to create fan-art for this comic which was an absolute pleasure. This series is truly worth the read and the publication of it is also for a good cause. I highly recommend looking into it and buying a copy of your own.
Special thanks to Hear Our Voices book tours for allowing me to participate in this tour.
When Ruby woke up on her tenth birthday, something about her had changed. Something alarming enough to make her parents lock her in the garage and call the police. Something that gets her sent to Thurmond, a brutal government “rehabilitation camp.” She might have survived the mysterious disease that’s killed most of America’s children, but she and the others have emerged with something far worse: frightening abilities they cannot control.
Now sixteen, Ruby is one of the dangerous ones.
When the truth comes out, Ruby barely escapes Thurmond withher life. Now she’s on the run, desperate to find the one safe haven left for kids like her—East River. She joins a group of kids who escaped their own camp. Liam, their brave leader, is falling hard for Ruby. But no matter how much she aches for him, Ruby can’t risk getting close. Not after what happened to her parents.
When they arrive at East River, nothing is as it seems, least of all its mysterious leader. But there are other forces at work, people who will stop at nothing to use Ruby in their fight against the government. Ruby will be faced with a terrible choice, one that may mean giving up her only chance at a life worth living. (Goodreads)
Superpowers. Sounds fun right?
Well, when you have to survive an unknown and extremely deadly disease in order to get these powers only to be segregated from society and essentially kept in concentration camps is far from fun.
Bracken’s TheDarkest Minds Series begins with a very X-Men-esque scenario, as described above. After an unknown disease kills off the majority of the State’s children, only a relatively small percentage are left, but there were after effects to this illness. Those who survived would develop one of a five of abilities ranging from telekinesis to powerful telepathy. These abilities are assigned colours, which are later used to segregate its users, separating them into groups based on their potential threat level. Greens (those with enhanced intelligence) are considered the least dangerous, while the most dangerous include the Red (those with pyrokinesis) and the Orange (telepaths). The most dangerous of the group were often killed on the spot.
The follows an Orange, who against all odds, has survived many years in a “rehabilitation” camp under the guise of a Green. Upon rescue from the camp, she not only realizes just how much the outside world has changed, but she realizes for any true change to occur there are hard decisions ahead of her.
I enjoyed this book, for the most part, though I often found it to be a slower than usual read for a YA novel. This book also differs quite a bit from other dystopian YA in that it tends to take a bit more of a political standpoint on the subjects it presents, while still pandering to the action-filled expectations of its intended audience. With many parallels to the ever so popular superhero genre, this book does a good job setting itself apart from other superhero-based stories and succeeds in creating characters who are multi-dimensional. The book spends a lot of time on character development, a lot more than you would expect from a YA novel coming at what some may consider the current fall from grace of Dystopian Sci-Fi.
As I’ve already sort of alluded to I found the book to be a little slow at times with scenes that I did not find entirely necessary (though they did achieve what they were meant to.) My most notable problems with the book are subjective: because when it comes down to it I simply did not find many of the characters likeable. I often found that the protagonist tended to be inconsistent. The inconsistencies are, for the most part, excusable due to the circumstances of the driving plot. Regardless, I often became a little annoyed because the character seemed to have sudden unexplained bursts of a newfound confidence that didn’t quite seem appropriate.
This book was a pretty good book but to be honest I ultimately enjoy it as much as others. I’m glad I read the first book, but as of right now I don’t intend to read the rest of the series.
Area X has been cut off from the rest of the world for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer’s Southern Reach Trilogy, we join the twelfth expedition.
The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself.
They arrive expecting the unexpected, and Area X delivers—but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything. (Goodreads)
Annihilation is an interesting examination of our world evolving into something new, something rarely seen by modern eyes. This series seeks to answer the question of how the world would look and how it would affect us as industrialized beings; introducing us to key characters as well as the surreal version of our very own world. Strange things occur in the pristine landscape dubbed Area X. We follow the protagonist, the unnamed biologist, as she and her team explore the alien terrain.
I knew before I even picked up the book that it wasn’t going to be one of those books you simply just breeze through. Even with a pretty good understanding of many of the concepts explored in this book, I found myself still having to pause to contemplate what I had just read. Whether it be for reasons of reflection or comprehension, I feel this book would require occasional breaks for even the most advanced readers. For me, this is the primary negative of this series thus far.
Nevertheless, VanderMeer creates a vibrant world with characters capable of showcasing its mystery. Oftentimes the book is somewhat poetic in its execution and very thought-provoking as a result. Character development among the voyagers we follow is exceptional, as we watch them become overcome by the power of Area X, and in some instances overcome by nature itself. The objectivity of the author of the world outside her mind is just as interesting as her personal opinions regarding what is going on around her.
Special thanks to Netgalley and Amazon Publishing UK for providing me with an eARC.
A World of Secrets will be available on Amazon July 16, 2020
Taimin and Selena must discover the truth about their world—before it’s too late.
In a world of secrets, Taimin and Selena are desperate for answers. They need to discover the truth about their origins and the firewall that borders the wasteland. If they don’t find the hidden path they seek, the citizens of Zorn will die.
As they make the perilous journey to the distant firewall, Taimin and Selena are joined by three companions: a young healer, a weapons trader, and an old rover. Together the five are in constant danger, unable to rely on Selena’s powers as she has lost the ability to farcast—and she doesn’t know how to get it back.
Now Taimin finds himself hunted by a new enemy—a strange creature on a bloodthirsty quest of his own. Taimin and Selena get ever closer to the answers that are essential to their survival. But will they learn the truth in time to save themselves? (Goodreads)
An exciting sequel to The Girl from Nowhere, A World of Secrets is a follow-up readers dream of. The story is interesting and well-paced and isn’t hard to understand if you’ve read the first book (which, in the case of this series is 100% required reading). The first book was an enjoyable read, but the second is only an improvement. It’s quick read and almost impossible to put down. With much of the world-development layed out in the first book the second takes the time to develop its characters more. With that said there is still more of this world to discover. And though the story at times comes off as predictable, it’s predictable in the sense that the events make sense to the story and the reveals are exciting “I knew it!” moments.
There is always room for improvement, of course, in the realm of writing. There are a large number of redundant descriptions as well as unnecessarily ones. Additionally some developments in character relationships seemed sudden and which added to a disconnect between the reader and the characters. Some revelations could have been handled better, but suffice regardless.
I would recommend this series to any science fiction fan, especially readers who are interested in series that include humans interacting with other species. The first book was good, the second great, and I have high hopes for the conclusion of the series.
This is not the world of the future — it’s the world right now.
Is a loved one missing some body parts? Are blondes becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only 400 genes; is that why an adult human being resembles a chimp fetus? And should that worry us? There’s a new genetic cure for drug addiction — is it worse than the disease?
We live in a time of momentous scientific leaps; a time when it’s possible to sell our eggs and sperm online for thousands of dollars; test our spouses for genetic maladies and even frame someone for a genetic crime.
We live in a time when one fifth of all our genes are owned by someone else, and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes …
Devilishly clever, Next blends fact and fiction into a breathless tale of a new world where nothing is what it seems, and a set of new possibilities can open at every turn. Next challenges our sense of reality and notions of morality. Balancing the comic and bizarre with the genuinely frightening and disturbing, Next shatters our assumptions, and reveals shocking new choices where we least expect.
The future is closer than you think. Get used to it. (Goodreads)
As the last official book by the late Michael Crichton Next has big shoes to fill; and does so well enough. Next boasts an interesting concept that is still relevant today and is well executed by its well-educated author. Its contents are not only smart but the way information is presented is smart as well. Most expositional information is presented through fake news reports which works well for this story’s concept. Additionally, the story is considerably realistic as well as plausible (though as time has passed some aspects have become less so due to changes in the law). This is definitely a book for fans of science fiction that poses a moral question, as well as those who are fascinated with genetics (considering a fair amount of the science in the book is considerably sound.)
The one aspect of this book that truly brought it down is excessive amount of subplots. Some are large and we follow it throughout the entirety of the book while others are relatively short. When it comes down to it, though some of them reinforce the intent of the story, many fall short and distract from the overarching plot as a whole. Not only were the subplots excessive but so was the complexity of the scientific concepts presented. For the average reader the story may be hard to understand and may require multiple reads to fully comprehend. This only adds to the fact that the story itself is slow-moving.
Though I cannot call this a bad book, I found this book ultimately unenjoyable. Having a pre-existing understanding of concepts discussed in said book was definitely advantageous, but did nothing to make the book move any faster than a snail-like pace. This book failed to live up to my expectations as is, at best, mediocre addition to Crichtons bibliography.
It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capital, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute.
The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute… and must weigh his need to follow the rules against his desire to survive no matter what it takes. (Goodreads)
For many The Hunger Games trilogy is a source of nostalgia. I, for one, was required to read it in school and when the films came out it became a field trip for my class to go see them. Like with Twilight, The Hunger Games marked the beginning of an era. Dystopian ruled the world of YA with titles like Divergent and The Maze Runner. None would ever reach the glory of the games.
Ten years after we watched Katniss fight in the 74th, then 75th titular Hunger Games, Collins decides to teleport us to the 10th hunger games. But rather than have us follow a tribute, we follow none other than a young President Snow. When the news of this book’s release broke and it was announced it would be following Snow, many people were immediately turned off by this. I, on the other hand, was not. The idea of learning about our villain and what made him the man he was in the original trilogy seemed exceptionally interesting. After reading the book, I’m disappointed to report that is not what we get.
What we get in A Ballad of Songbirds and Snakes is a hot mess of non-existent character development, lacklustre “Easter eggs” (if you can even call them that), annoying-to-read names, and so much irrelevance. There was an abundance of irrelevant description and details that I found myself wondering why it was even allowed to remain in the book, and ultimately the whole plot just… seemed for naught. We watch Snow go through all this hardship only to remain this horrible Capitol patriot. There was no nuance to his journey, cause he didn’t change, ever. He just continues to remain the horrible person we saw from the start.
The romance of the book is probably the one of the worst parts. It didn’t make sense, and ultimately served no purpose. It seems as though it was an attempt to garner the reaction such a romance would have gotten ten years ago, but as a result of the current social climate did nothing but ruin the reading experience. The book would have definitely benefited from removing this subplot in favor of one more politically driven one.
We do get a chance to see the behind-the-scenes of how the Hunger Games become what it was in the original trilogy. This however was simply high school students making suggestions to their teachers and their teachers agreeing it would be a good idea and then implementing it. It’s that easy. We don’t see the issues that follow with implementing many of these ideas. No thought goes to how to organize these ideas, nor how to fund them. The Hunger Games seemed so unimportant that aspects of how it is executed is left to mere students to figure out. For a national event of such supposed importance this felt a bit like a slap in the face, not only to the readers but to the tributes.