By Julia Ember
Publisher: Darrar, Straus, and Giroux
Print Length: 368 pages
Genre: Young Adult Fantasy
Release Date November 24th 2020
Available for pre-order on Amazon and Barnes and Noble
Special thanks to Macmillan for providing me with an eARC in exchange for an honest review.
Her voice was her prison…
Now it’s her weapon.
In a world where magic is sung, a powerful mage named Cadence has been forced to torture her country’s disgraced nobility at her ruthless queen’s bidding.
But when she is reunited with her childhood friend, a noblewoman with ties to the underground rebellion, she must finally make a choice: Take a stand to free their country from oppression, or follow in the queen’s footsteps and become a monster herself. (Goodreads)
Ruinsong is a delightfully dark and sapphic fantasy retelling of Phantom of the Opera that boast exceptional writing and a unique take on magic. This book is refreshingly queer and uses every page to its advantage. I devoured this book, and foresee myself wanting to do so again.
I picked up this book because of its gorgeous cover and promise of a sapphic relationship. The latter is delivered and then some, as the author throughs in world-building details that illustrate a world more accepting (in some, but not all) of queerness. As a queer individual, I was b=both charmed and delighted at even the smallest of details representing under-represented communities. The sapphic nature of the book was particularly refreshing, do to the tendency of gay male relationships being seemingly favoured in publishing. The relationship is a slow-burn enemies-to-lover sort of romance, which, on its own, is swoon-worthy. Throw in two girls, both powerful in their own right, rebelling against the injustice of the crown… Well, you get a damn good book.
This book is a relatively short read, but for what it lacks in page count, it makes up with it’ well-crafted world. Not a single detail of this book is unnecessary, as every page is used wisely. We get a glimpse into a world that is so well developed it may as well be real. While reading this book, you are transported into this world, being slowly destroyed by a tortuous dictator, and you see the contrast of the palace and city.
The only criticism I can offer is in regards to the villain of the book. While she is captivating, her motivations and methods of evil aren’t particularly unique. Regardless, she still manages to be terrifying, holding her power with elegance. Even when she cracks, she does so with a rare sort of grace.
The magic system in this book is one of its strongest aspects. There are defined limits and defining aspects of power. The decision to make the magic music-based is truly genius, and its application is so well done.
I fully intend on acquiring a physical copy of this book, because I thoroughly enjoyed it and see myself wanting to reread it. I recommend this book to anyone who loves dark fantasy and overthrowing tyrannical matriarchies.